The
Bad, The Worse, and The Worst: The Significance of Indonesian Cult,
Exploitation, and B Movies
Plaridel Journal, Special
Issue, Vol 11, Issue No. 2, 2014.
Guest Editor:
Ekky Imanjaya
(PhD Candidate, University of
East Anglia, UK;
faculty member, school of Film, Binus International, Bina
Nusantara University, Indonesia)
Coming soon: December 18, 2014
Table of Content and Abstracts:
1. The
Significance of Indonesian Exploitation and Cult Cinema: An Introduction to
Special Issue
By
Ekky Imanjaya (guest editor; University of East Anglia and Binus Nusantara
University)
2. Exploiting Indonesia: From Primitives to Outraged Fugitives
By Thomas Barker (University of
Nottingham Malaysia)
3. The Raiding
Dutchmen: The Dutch Stereotypes in Indonesian Action Movies
By Eric Sasono (RumahFilm.org)
4.
The Earth is Getting Hotter: Urban Inferno and
Outsider Women’s Collectives in Bumi Makin Panas
By
Dag Yngvesson (University of Minnesota)
5.
Challenging
New Order’s Gender Ideology in Benyamin Sueb’s Betty Bencong Slebor: A Queer
Reading
By
Maimunah Munir (University of Airlangga)
6.
Genre versus Local Specificity: Configuring
Rangda and Durga in Balinese and Bengali Films
By Makbul
Mubarak (Universitas Multimedia
Nusantara)
7.
Beneath Still Waters: Brian Yuzna and the
Transnational Indonesian Terror Text
By
Xavier Mendik (University of Brighton,
Director of Cine-Excess Film Festival)
Documents
WHEN EAST
MEETS WEST:
1.
American
and Chinese influences on early Indonesian Action cinema
The List of Filmography of
Early Indonesian Action Movies (1926-1941)
compiled by by Bastian
Meiresonne
2.
On Lady Terminator
Interview with
Barbara Anne Constable
By Andrew Leavold
3.
Beneath Still Waters: The Brian Yuzna
Interview
By Xavier Mendik
4.
Scripting an Indonesian Monster: The
John Penney Interview
By Xavier Mendik
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