Wednesday, September 25, 2013
"Birth of The Living Dead" trailer
trailer of "Birth of The Living Dead":http://firstrunfeatures.com/trailers_birthofthelivingdead.html a documentary on "Night of the Living Dead" (1968).
It is a "the new documentary which explains how and why this film was so revolutionary within the context of both American film and cultural history."
My First Conference as a PhD Student! :)
the Media, Globalisation and Imagination Symposium, Tuesday 1st October 2013, Thomas Pai
ne Study Center, University of East Anglia.
14:00 Media and the Global Imaginary: Ideas, Issues and Investigations
Kyriakidou, M (PSI)
Scott, M (DEV)
14:30 Imagining the USA
Avila, R (AMS) Dora the Explorer, Language & American Identity
Brooks, O (PSI) MTV’s Jersey Shore: Guidos, Guidettes and Grenades.
D’Hont, C (AMS) Fake Fame: Celebrity in Contemporary American Literature
Fuller, S (FTM) Mexico noir: the Mexican spaces of American film noir
16: 00 Break
16:15 Production and reception of trans-national media
Atakav, E (FTM) Television that travels: the Middle East and beyond: A study of the critical reception of Magnificent Century (2011-present)
Harkin, J (PSI) Mediating Syria’s Revolution
Imanjaya, E (FTM) Defining “Crazy Indonesia”: Politics of Tastes, Classic Indonesian Exploitation Cinema, and Global Cult Fandom
Mizsei Ward, R (FTM) Superheroines in Hijab American Rightwing Bloggers respond to the
Islamic Transmedia Franchise, The 99
1745 - Break
18:00 Roundtable and Open Discussion: Interdisciplinary Approaches to Media, Globalisation and Imagination: Future Directions for Research?
1845 – Finish/Pub!
ne Study Center, University of East Anglia.
14:00 Media and the Global Imaginary: Ideas, Issues and Investigations
Kyriakidou, M (PSI)
Scott, M (DEV)
14:30 Imagining the USA
Avila, R (AMS) Dora the Explorer, Language & American Identity
Brooks, O (PSI) MTV’s Jersey Shore: Guidos, Guidettes and Grenades.
D’Hont, C (AMS) Fake Fame: Celebrity in Contemporary American Literature
Fuller, S (FTM) Mexico noir: the Mexican spaces of American film noir
16: 00 Break
16:15 Production and reception of trans-national media
Atakav, E (FTM) Television that travels: the Middle East and beyond: A study of the critical reception of Magnificent Century (2011-present)
Harkin, J (PSI) Mediating Syria’s Revolution
Imanjaya, E (FTM) Defining “Crazy Indonesia”: Politics of Tastes, Classic Indonesian Exploitation Cinema, and Global Cult Fandom
Mizsei Ward, R (FTM) Superheroines in Hijab American Rightwing Bloggers respond to the
Islamic Transmedia Franchise, The 99
1745 - Break
18:00 Roundtable and Open Discussion: Interdisciplinary Approaches to Media, Globalisation and Imagination: Future Directions for Research?
1845 – Finish/Pub!
Friday, September 20, 2013
100 Cult Films is on ITunes now
"100 Cult Films: BFI Screen Guides" is on ITunes now https://itunes.apple.com/gb/app/100-cult-films-bfi-screen/id672623255?mt=8 <== including Indonesia's Lady Terminator :)
Thursday, August 29, 2013
What would KL look like in a zombie apocalypse? | Poskod Malaysia
What would KL look like in a zombie apocalypse? | Poskod Malaysia
"KL Zombi" sounds great! I really want to watch a zombie film set in Kuala Lumpur!
Here's the trailer:
"KL Zombi" sounds great! I really want to watch a zombie film set in Kuala Lumpur!
Here's the trailer:
Wednesday, August 21, 2013
Saturday, July 13, 2013
On (sub)genre and anatomy of Classical Indonesian Exploitation Cinema
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| Devil's Sword in Japanese version |
First, Indonesian exploitation cinema
has no specific term to be called. Unlike Mexico (Mexploitation), Canada (Canuxploitation),
Latin America (Latsploitation), or Australia (Ozploitation) #crazyindonesia
So I adopt a term from a Greek for
Indonesian exploitation in their golden age (late 1970s to early 1990s) =
#crazyindonesia
My preliminary mapping: there
are 2 types of #crazyindonesia
First: “indigenous” genre (in
Karl Heider’s Term), especially Legeda, Kumpeni, and Silat. #crazyindonesia
Sometimes there are mixed
subgenres, and it is common in exploitation cinema. #crazyindonesia
Legenda (legend) is a subgenre related to myth, mystic, and supernatural). #crazyindonesia Nyi Blorong, Nyi Roro Kidul, etc
Kumpeni is about local <super> heroes in
Dutch colonial era, commonly with supernatural and magical power: Jaka Sembung
(The Warrior) series. #crazyindonesia
Silat is Indonesian martial art films #crazyindonesia
Those subgenres are considered as exotic, marginalized, and unknown to Western cult community. Hence,
they became cult and are celebrated by fans. #crazyindonesia
The second type is those who were made for international tastes, by
adopting subgenres from American exploitation cinema. #crazyindonesia
Some subgenres: cannibalism, mockbusters,
womensploitation, women in prison, zombie). #crazyindonesia
Cannibalism, for example, Primitif, Barry
Prima’s first movie. #crazyindonesia
Mockbuster films are rip-off films = Lady
Terminator follows Terminator,
Pembalasan Rambu (Intruder) is Rambo wannabe. #crazyindonesia
Women in prison = Virgin from Hell, Kamp
Tahanan Wanita etc #crazyindonesia
This second type are films for foreign
market: dubbed into English, and some of
them using new foreign actors. #crazyindonesia
Friday, July 12, 2013
THE ACT OF KILLING plus Q&A | News | Cinema City | Norwich
THE ACT OF KILLING plus Q&A | News | Cinema City | Norwich
I will be one of the speakers: Sunday, 14 July, 18.30. :)
I will be one of the speakers: Sunday, 14 July, 18.30. :)
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